The image of “circulation” already enables and even demands its conceptualisation as a particular form of how literary works move through time and space. It differs, we would like to argue, from other modes of medial movements such as “exchange”, “distribution”, “dissemination”, or “transmission”. The insights considered here discuss models of closed and open circulation, their infrastructures, and their impact on literary movement. What do we mean, then, when we speak of a “circulation of literature”, or of “literary circulation”?
Curated Collection
Insight